Melody Lau

Music journalist, as seen on the internet.

UNCOOL #1: Guiltless Pleasures

This is a belated post, but I had the wonderful pleasure of recently contributing to the first issue of UNCOOL, an online music publication put together by David Greenwald. 

The theme of the issue was “Guiltless Pleasures” so, of course, I wrote about ’90s boy bands in Canada. Remember The Moffatts, B4-4 and soulDecision? Because I think about them all the time. Even if you don’t know them, you should give it a read and check out all the other talented writers in this issue while you’re at it. 

UNCOOL will cost you $3.99, but come on, how many articles have I given you to read for free? Just skip that one Starbucks order and get a collection of writing that will be a million times better for you. 

xx

#throwbackthursday - Death Cab For Cutie

Transatlanticism is going to celebrate its 10th anniversary this year, so let’s look back on this fine jam. I spent many a nights crying in my bedroom to this album so thank you, Ben Gibbard. 

#throwbackthursday - The Moffatts 

Currently writing an essay on my favourite Canadian boy bands. REMEMBER THESE GUYS?

My favourite show at CMW. Lowell was the only artist I hadn’t seen before who I was most excited to see and she didn’t disappoint. “Shake Him Off” has been my jam every since I randomly stumbled upon it on a blog somewhere and it’s easy to understand why she draws so many comparisons to Lykke Li. The song’s pots-and-pans percussion is crazy addictive, like a marching anthem for female empowerment (this song was partially inspired by an incident the singer had at the Dance Cave where she was roofied). I haven’t listened to the rest of the album yet, but a number of her songs can be found on YouTube right now. I cannot wait to see this girl take over the world.

Bonus: Watch a stripped-down version of “Shake Him Off” HERE.

#YGG

Canadian Music Week 2013

Last week marked my fifth year covering Toronto’s Canadian Music Week and I can safely say that it will be my last. I can go on and rant for hours about my problems with the festival (not getting into shows, having to pay to get into certain things, wrong set times), but I’ll just let this Torontoist post do the work. Surely some people had fun and, as much as I’d like to avoid it, I’ll probably go and check out a few shows next year. But, I’d rather just pretend to have a SXSW hangover like most people and call in sick. Not that CMW will be calling me up, looking for me or anything. Actually, they might…

Anyway, here’s a quick recap of all the bands I saw for Spinner (I was sick and actually missed the Indies, but wrote a news piece regardless):

Wednesday
Thursday
Friday (The Indies)
Saturday
Sunday (The Prism Prize)

I also interviewed Chvrches while they were in town for the festival. You can read the full interview HERE.

Now bring on NXNE.

Links, links, links

I reviewed Kate Nash’s show in Toronto this past weekend, which you can read HERE. I also had quite the chat with her prior to her show so watch out for that interview on Spinner in the near future. It will probably reference Buffy the Vampire Slayer a bunch.

The new issue of Exclaim! Magazine is out now, so pick up a copy a take look at my interview with Blue Hawaii (or just read it here) and Leif Vollebekk (read the online exclusive here).

While everyone was down at SXSW, I took a week off to recuperate from my Chicago zine adventure and to prepare myself for Canadian Music Week. I’ll be doing daily round-ups for Spinner so check in every day for my reviews!

xx

Fierce conversations

I moved back home in 2010 after a failed attempt at moving out with two of my friends at the time. I often skirt around the question of what happened because I don’t know how to really explain the mess that unraveled, much of which was my fault.

I had never lived with other people before so it had hit me very early on that I wasn’t able to read my roommates like I did with my siblings. Thinking that one of my roomies was mad about something, I became concerned and paranoid, but instead of speaking up and simply asking if she was, I internalized a lot of anxiety. In return, the roomie grew frustrated with my behaviour (among other bad roommate things I’ll own up to) and also avoided confrontation for a couple of months, until she finally brought it up in a heated conversation that ended with me in tears and her saying, “We can never be friends.”

The days and nights that followed were a blur as I drank increasingly more to numb my emotions - which I later identified as a slippery slope to alcoholism and abruptly quit drinking for a year - but that triggered a significant change in my life. (And for those who know me IRL, yes, this is a little slice of the story behind of one my tattoos)

Anxiety has always consumed my social life and the way I interact with people. I never raised my hand at school, I could barely hold a conversation with someone new and I was unfortunately the asshole who would take hours to explain why I was upset with my boyfriend. Poor guy would just sit on the phone forever saying, “Are you going to say something?” 

When I unloaded my boxes of belongings in my old bedroom, I vowed to speak up about things. I had regretted not saying something so many times that I could literally hear that something had snapped inside me. No more regrets, no shame. 

It took some time, but looking back now, I slowly but surely learned to voice my opinions, confront my problems and say something about everything. It felt liberating and relieving to not bottle up so many things. I went from building up all my thoughts in my head to laying all my feelings out for everyone to see and hear.

Drunk with relief, it has hit me that I might have veered too far into the other extreme, though. I think I’ve become TOO vocal. Now that I’ve taken the filter out of my mind, I’ve lost my shit a little and word vomit is a common side affect I’ve experienced. 

More often than not, I’ve noticed myself becoming too outspoken, too forward and a bit too emotional. I’m not saying I regret this, I still feel relief whenever I speak up about something, but it’s definitely gotten me into a little trouble and, romantically, I think I’ve scared off a guy or two. Evidently, being forward can be a turn on, but being too upfront about my feelings makes me sound a bit insane. 

I was talking to my friend about this recently - quite loudly and passionately, I may add - and she got up, grabbed a book and returned. “Fierce Conversations: Achieving Success at Work & Life, One Conversation at a Time” was the title of the book. “You’re just a fierce person,” she told me, pointing to the little box at the top of the book that defined the word fierce as “robust, intense, strong, powerful, passionate, eager, unbridled”. Sounds about right.

Okay, so I can be a bit too intense at times, but this new-found voice of mine does make me feel strong, powerful and passionate. I’m sorry if that’s too much sometimes…but I’m not sorry!

I’ve come to embrace this fierceness and, just as my shyness was (and still is sometimes, I guess) a problem, people will just have to accept this as part of who I am. And those who can’t will just have to steer clear of my word vomit, because it’s going to get messy.

I’ve had this song on repeat all night. I was randomly introduced to The Belle Game a couple of years ago through a friend and Katrina and Adam have actually contributed to my blog, The Singing Lamb, so this might sound biased, but I can truthfully say that their music never clicked for me until I heard this album. They recently signed to Bella Union overseas and will be releasing their new album, Ritual Tradition Habit, sometime later this spring. It’s a good one.

Here, take a look at a few of Katrina and Adam’s articles for The Singing Lamb!

From Orchestra to Auto-Tune: The Sound and Meaning of Popular Music in 2012

The Raw Material of the Music Industry

Zine Dream

I attempted to make a zine in high school. Frustrated with the lack of local music coverage there was at the time – surely it was out there, I just wasn’t digging deep enough – I decided to take it upon myself to start a zine where I could talk about how awesome bands like Woodhands, Laura Barrett, Huckleberry Friends and Ohbijou were. I took photos, I copy and pasted things and I wrote some articles. I was always a crafty person, and evidently quite old school, too. While everyone else was showing off their shiny, new iPods, I was still proudly carrying a Discman.

Alas, I made two pages of that zine and gave up. Soon after, I just started a blog like everyone else.

Four years later, I found myself making another zine, but this time with a couple of friends. Static Zine was my second shot at becoming a zinester and even though it wouldn’t focus on music, it was still a project I was passionate and excited about. In the interval years, I became increasingly obsessed with the Riot Grrrl movement and had read up on the 90’s zine culture that was associated with the scene, so when the idea of a zine came up, I thought that this would be my chance to channel my inner Riot Grrrl and participate in a creative endeavour that would pay homage to those women.

Static isn’t heavily political, though; it’s the complete opposite. It’s a fun, light-hearted collective of friends who just want to write creative, and often funny, stories about any given topic. And, honestly, I prefer this. For a project run by friends, for no other reason than for our own enjoyment, it’s best to keep things positive and leave the rioting and protesting to some other time. Also, I’m not very political to begin with. I have strong feminist beliefs, but I keep my ranting and raving to a minimum. So, yeah, this kind of zine is just perfect.

Having the ability to create a publication all on your own is an incredible feeling, especially for someone who rarely has the final word, writing for other magazines and websites. I can lay things out exactly the way I want and write about anything and everything. As much as I like having the guidance of an editor, I want to be in charge from time to time and this is my opportunity to call the shots. Well, at least sort of.

As we began to circulate our zines, it became obvious that the music and zine communities were two entirely different worlds. There was the occasional overlap of people and artists, but generally, it’s a whole new world we had to adjust to and after spending the past handful of years squeezing into the music scene, I wasn’t sure if I was up for tackling the world of zinesters.

Even with my strong interest in Riot Grrrl zines (I’m slowly but surely collecting Kathleen Hanna’s zines), I just didn’t have it in me to fully throw myself into the local zine world. Similar to arriving at a new school, mid-semester, cliques were already formed and trying to insert yourself into an already tight-knit community – especially when you deal with anxiety problems – is a tough task, and unlike my early days in the music scene, I didn’t have the guidance of anyone to navigate me through this.

The past two years have been spent making zines, which is still something I love doing and it is the reason I’ve become so close with my two best friends Aviva and Jessica, but I’m still feeling a missing link to the overall scene. And this feeling magnifies itself most at zine fairs, which is something Static has taken part in more and more. When you spend many hours sitting behind a table, you become very observant. Most recently, at the Chicago Zine Fair, I found myself thinking: I’m not twee enough for half of these people and I’m definitely not punk enough for the other half. What am I? Do I belong here?

And be it the style or just again, the close-knit feeling, I’m just missing something. I truly don’t feel like I belong in the zine community and that’s not a slight at the scene or the people I make zines with. Zine culture is something I deeply admire and wish I was more into and my zine sisters are two of my closest friends in the world, but it’s just not clicking. That doesn’t make me less of a Riot Grrrl (or at the very least a Riot Grrrl enthusiast), that doesn’t make me less of a friend (I hope not) and that doesn’t make me any less of a zine creator.

I made a post a while back, saying that I needed something other than freelance writing, but I wasn’t sure what just yet. The zine scene might not be the answer to my ongoing problems, but hey, I tried. And I will continue to make zines with my friends, but I might not necessarily deserve the title of a zinester. I’m just an old school grrrl, still trying to get out of freelancing.

So, yeah…next up: attempting to start a band. I can already tell you this is not going to end well. 

#throwbackthursday - Think About Life

I miss this band a lot. Think About Life, much like Rich Aucoin nowadays, was very much a band that you had to see live to believe. This video doesn’t do much justice, but Think About Life were one of the best live acts in recent Canadian music history. I’ve left their shows covered in sweat, confetti and joy (seriously, I had confetti on me for months). They command you to dance and sing along. Their music also evidently gave me super-strength as I found myself in a mosh pit once, throwing a guy across the room, to which he came up to me after their set and said, “Wow, you’re strong!”

TAL can still be found, on rare occasions, doing one-off shows in Montreal (they did one last year) but Graham Van Pelt is now off touring with Diamond Rings and gearing up for a new Miracle Fortress release, and Caila Thompson-Hannant is now fronting Mozart’s Sister. Both great projects that everyone should check out, but nothing will ever fill the void left by Think About Life.